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2024 Classes
CLASS LEVELS: 1–Beginner | 2–Advanced Beginner | 3–Intermediate | 4–Advanced | 5–Expert
Instigator
Adam Kulakow
- Week 1
All levels
Whether it’s finding (or starting) that perfect jam or helping you pick the right class for your interests and level, I’m here to help. Want support for a song you’re working on? Ask me! Want to play a tune? Let’s play!
Songs to Start Jamming
Adam Kulakow
- Week 1
Level 2
Get grooving on a variety of songs and styles, from folk and country to blues and classic rock. Learn the chords and strums that go with some of our favorite songs along with the occasional bass run, fill, or riff that can really light up a campfire jam. We’ll also explore some theory basics like notes, chords, and keys, so that you’ll deepen your musical vocabulary—and have more fun joining the jam.
Instigator
Amy Friedricks
- Week 2
All levels
New to an instrument? Join us at the Slow Jam every afternoon (4 chords or less!). Need a musical matchmaker for your level/style? Or a camp experience navigator? Playing music with others is such a joy; let’s make it happen.
Fun With Barre Chords
Amy Friedricks
- Week 2
Level 2
It’s time: You’ve got the basic chords under your fingers; let’s take your playing to the next level Learn to play that dreaded F chord! We’ll make friends with a Bm and a Bb and dozens more. We’ll learn how to move simple shapes up the neck, easily figure out which fret to play, and how to make it sound good. Along the way we’ll play fun songs that everyone wants to sing.
Bluegrass Banjo
Avram Siegel
- Week 1
Level 3
In this class we’ll cover rhythm and backup, solo breaks, and how the banjo fits into a band setting. We’ll also look at right- and left-hand technique to improve tone, timing, and speed. Students should be familiar with basic open and closed chord shapes. Bring a 5-string banjo, fingerpicks, a thumbpick, and a capo.
String Band
Avram Siegel
- Week 1
Level 3–5
We’ll arrange one song at a time, as we would for a performance. We’ll work on intros and outros, soloing, vocal leads and harmonies, dynamics, and the elusive groove that makes music cook whether it’s bluegrass, country, swing, old-time, or related string band styles. All stringed instruments are welcome.
Rhythm in a Box
Brian Rice
- Week 2
All levels
This class is for cajón players (and cajón owners) and for people who want to improve their rhythm in general. There are many kinds of cajóns in the world; the popular sit-on-top style of cajón comes originally from Peru, via Spain and its flamenco music. The cajón is used in many different ways and is very popular as a substitute for the drum set. Bring your cajón and we’ll learn some traditional uses (and some not-so-traditional ones) of the cajón while developing a better sense of rhythm.
Samba!
Brian Rice
- Week 2
All levels
Samba, the national music of Brazil, grabs your heart and your butt at the same time, shakes you down and leaves you feeling great! What makes this music so compelling and infectious? Come and learn the building blocks and the most common conventions of samba music. We will play on percussion instruments, sing songs, and learn what samba can be. You will come away with a greater rhythmic arsenal and techniques on some common percussion instruments. All percussion instruments are provided.
School of Rock for Folkies
Cara Luft
- Week 2
All levels
With voices and instruments working together in a group context, participants will acquire the tools necessary for bringing a song to life. Does that sound like fun or what!? Come prepared to rock out folk-style (i.e., taking rock songs and folkin’ them up!). If you sing (untrained more or less) and/or play an instrument (beyond the beginner stage), then this class is for you. Some of those "tools” mentioned include: How to learn and arrange a song as a group, dynamics within a song, blending instruments, listening to each other, knowing when to play simply and when to step it up, how to play in support of the vocalist or soloist, and how to get out of the way and let the song speak. We will also explore tasteful fills, how to sing in harmony, and performance techniques. Any acoustic instrument is welcome (guitar, bass, dobro, mandolin, fiddle, banjo, ukulele, bodhran, accordion, etc.), and don’t forget about the voice! Come prepared to have fun!
Harmony Singing
Cara Luft
- Week 2
All levels
Come experience the fun and unique qualities of singing with others in harmony and learn how to capture the essence of a song with your voice. We’ll explore listening techniques, how to recognize chordal relationships, how harmony fits into a melodic landscape, how to sing better lines while picking up some vocal techniques, and exercises along the way. Join us for a fun and empowering experience! Everything is taught by ear and learned as a group.
Acoustic Rock for Folkies
Carol McComb
- Week 1
Level 2
Learn solid acoustic rock-style flatpick strums from scratch and increase your repertoire of strum choices. Come join in the fun as we survey songs by the Beatles, the Eagles, Bob Dylan, Bruce Springsteen, Sheryl Crow, Green Day, John Lennon, Tom Petty, Shawn Colvin, and more.
Sweet Harmony
Carol McComb
- Week 1
All levels
Nothing is quite as uplifting as singing in harmony, especially when attention is paid to getting the blend and the parts just right! We will learn duets and trios from a wide range of styles and will include a bit of harmony theory as we go. Come join us as we sing our hearts out!
Advanced Improvisation
Chris Grampp
- Week 1
Level 3–4
We’ll cover strategies for soloing over swing, pop, blues, country, Latin, and rock tunes. We’ll discuss scales and modes, arpeggios, dynamics, and rephrasing song melodies. All instruments welcome, and we’ll do lots of playing in class.
On-the-Spot Arrangements
Chris Grampp
- Week 1
Level 3–5
We’ll divide into small groups each day to create and perform arrangements for rock, folk, pop, country, and swing tunes. All instruments and vocalists are welcome. We’ll do lots of playing in class.
Intermediate/Advanced Bassists
Cindy Browne Rosefield
- Week 1
Level 3–4
Now is the time to explore more ways to be a well-rounded bassist. We’ll go beyond beats 1 and 3 (!) by learning about different grooves in various styles, such as swing, blues, funk, and some Latin tinges. And soloing. Move to the frontline melodically and become more comfortable as a soloist, in addition to laying down a mean groove.
Beginning Bass
Cindy Browne Rosefield
- Week 1
Level 1–2
For those who are just starting, wanting a refresher course, or just curious about the magic of playing the bass! Open to all instrumentalists, this class is a great starter for understanding and learning more about simple bass fundamentals, such as how to get a good tone, simple hand positions to get you going, and how to create good smooth bass lines. We will move toward "playing in the pocket" in a few different styles and tricks that make a solid bassist.
Songwriting: Finding Creative Lift-Off
Cosy Sheridan
- Week 2
Level 3–5
Songwriting is a craft and an art. There are moments of inspiration when a song seems to be delivered into our ear and all we have to do is write it down. And then there is the rest of the time when we need tools and some knowledge of how to use them. How do we build a song that will run on the energy of our emotions? How can we find an idea for a song when we are feeling uninspired? In this hands-on class, we’ll each start a song and work on it through the week. Bring your instrument, something to write on, and a way to record your song-in-process (an iPhone works fine).
Guitar Rhythms and Riffs
Cosy Sheridan
- Week 2
Level 3
We’ll focus on learning a couple of right-hand percussive picking patterns, then we’ll add some left-hand riffs to it. Then we’ll learn to play some songs that incorporate these skills. We will make our guitar playing into an engine of forward motion and energy!
Beginning Guitar
Coty Hogue
- Week 1
Level 1
We’ll start with the very basics—the anatomy of the guitar and how to hold it so you won’t be in pain, and then progress to learning chords, strumming, and even a smattering of theory that will help you be playing songs in no time and jamming with others.
Songs of Joni Mitchell
Coty Hogue
- Week 1
Level 2–3
I’ll wager that most would say they are a Joni fan but rarely do we hear her songs played at camp. Let’s change that! In a year that has been a resurgence of all things Joni, we’ll have fun learning her songs in an accessible way. This class will be catered toward learning her songs in standard and open tunings on the guitar, but singers are welcome too!
The Hand That Speaks
Daniel Ward
- Week 2
Level 2–3
The hand that we strum and pick with is really the voice of the guitar. In this class we’ll look at ways to connect more deeply with your picking and strumming technique. We’ll look at rhythmic strumming, fingerpicking, and also flatpicking for both single lines and strums. Easy chords, arpeggios, and lines will be used to explore these concepts. Whatever your level of ability, this class will help you improve, and also add some new tricks to your toolbox. This is a real “hands on” style class where we’ll break down each step and slowly build back so you can really feel the music come from your ears through your hands and right to the strings.
VIP World Tour
Daniel Ward
- Week 2
Level 3
This class will focus mostly on Latin styles, but we’ll visit a few other places too. Each of the patterns or strums has an easy-to-learn handout with a few sample chords so they sink in quickly. Styles we’ll dive into include bossa nova, flamenco rumba, boleros, samba, Cuban-style montunos, and some special picking patterns that aren’t Latin, like a fancy Travis pick with cool pull-offs and hammer-ons. We’ll also take some of these new patterns and use them to change the style of songs you already know and play. Ukelele players also welcome.
Get Your Groove On!
Ed Johnson
- Week 2
Level 3
Strengthen and refine your rhythm guitar chops through learning classic and modern rock, R&B, and reggae songs. We’ll focus on left- and right-hand techniques that will help you maximize the sound of your instrument with efficiency, along with fun signature riffs. We’ll cover both flatpick and fingerstyle accompaniment, standard and non-standard chord forms, and right-hand muting and dampening techniques.
Swing/Jazz Band Lab
Ed Johnson
- Week 2
Level 3–5
Calling all instruments and voices! Learn to make a joyful noise together, working with standards from the Great American Songbook, blues, and Latin repertoire. Learn how to work through a chart, put together an ensemble arrangement, cue bandmates, and give a song its best presentation. Charts provided daily; music-reading skills are helpful but not a prerequisite.
Arranging for Solo Fingerstyle Guitar
Eric Skye
- Week 1
Level 4–5
Learn to create strong arrangements for solo fingerstyle guitar. We’ll work together on both a jazz standard and a traditional folk tune as vehicles to explore making satisfying and compelling solo guitar versions. We’ll explore having an improvised section within an otherwise set arrangement. We’ll get into developing our own original tunes into solid solo pieces as well. And we’ll talk about practicing to get an arrangement up to performance level, with emphasis on timing and tone.
Southern Hymns and Murder Ballads for Fingerstyle Guitar
Eric Skye
- Week 1
Level 2–3
We’ll learn single-page intermediate-level fingerstyle arrangements of one old Southern hymn and one old-time murder ballad. Tablature and notation will be provided, and we’ll learn the tunes phrase by phrase. We’ll also do some deconstructing of the arrangements, comparing them to the original lead sheet and exploring the artistic choices. And we’ll talk about how we can spice them up further with bluesy phrasing, gospel-inspired chord substitutions, and slow dirge grooves.
Beginning Mandolin
Eva Scow
- Week 1
Level 1–2
We’ll learn some variations on scales that will strengthen your right- and left-hand technique. We’ll cover chord voicings, rhythms for a couple of different styles, and some basic soloing over blues changes. We’ll also learn a few melodies in the American old-time and blues style.
Improvising Over Jazz Changes on the Mandolin
Eva Scow
- Week 1
Level 3–4
We’ll look at a few different jazz standards and ways to solo over multiple chords in one phrase. We’ll also explore different rhythmic phrasings, backup rhythm patterns, and how to best utilize arpeggios and scales in our soloing.
Singing for the Terrified but Eager: Beginning Vocal Technique, Harmony Skills, and More
Gina Davis
- Week 2
Level 2
Let’s begin at the beginning in a safe and fun environment. We’ll dig into accessible technique and sing along with simple tunes. We’ll use our ears and our hearts to learn tools to dip our toes into the world of harmony. You’ll leave with some new songs to hum, sing, and share. Students should have at least one year of recent musical experience on any instrument, and the ability to match pitch most of the time; more experienced singers are welcome to come support their new singer friends!
Songwriters Circle
Gina Davis
- Week 2
Level 2–3
Bring your half written, half finished, almost there, or barely started fragments and seedlings—we’ll share and give feedback in a supportive environment. As time allows, we’ll also listen to some great songwriting examples, and discuss and draw inspiration from their process.
Essential Country Guitar Techniques
Greg Schochet
- Week 1
Level 2–3
We all know country guitar when we hear it, but where do those distinctive sounds come from? In this class you’ll learn how to twang, tic-tac, and shuffle with the best of ’em. Using well-known classic songs as examples, we’ll look at the rhythm and picking techniques that will get you that gig on the Opry!
Western Swing Guitar
Greg Schochet
- Week 1
Level 3–4
When the country meets the swing, it's western swing! In this primarily rhythm class, we’ll apply swing guitar techniques to some simple country songs, like passing chords and moving bass lines. We’ll also learn some gems from the western swing canon from the likes of Bob Wills and Asleep at the Wheel. Prior knowledge of closed 6th and 7th chords is helpful.
Simple Gifts, Big Returns
Heidi Swedberg
- Week 2
Level 3–4
Short, beautiful songs from around the world, including lullabies, rounds, shanties, and folk songs offer a blank canvas for growth and pleasure. Learn to read TAB, play chord melody, fingerstyle accompaniments, and sing harmonies as you add captivating songs to your repertoire.
Ukelele in the Pocket
Heidi Swedberg
- Week 2
Level 2–5
Bass and drum, meet my little friend... The ukulele belongs right in the rhythm pocket, playing its jaunty beat that carries songs along. You can be your own drummer when you learn mesmerizing duple- and triple-meter picking patterns, backbeat strums, straight Latin rhythms, and swinging skanks.
Vocal Qigong
Jennifer Scott
- Week 2
All levels
Part vocal technique, part movement/breath, this class offers wellness for any level of singer. A variety of repertoire will also be offered to complement our technique work.
Brazilian Magic
Jennifer Scott
- Week 2
Level 2–5
We’ll learn gorgeous Brazilian songs, mostly in Portuguese, and enjoy a rhythm and stylistic overview including putting together a vocal rhythms ensemble to really get inside the hypnotic beauty of Brazilian music and grooves.
Acoustic Slide Guitar
Jon Shain
- Week 1
Level 4
We’ll work on bottleneck style guitar in open tunings and in standard tuning, with special attention to tone, expressiveness, and control. This will include some solo tunes, as well as strategies for accompanying others, and improvising solos. Prior slide experience is not necessary, but this class will be aimed at more experienced guitarists.
Beginning Fingerstyle Blues
Jon Shain
- Week 1
Level 2
We’ll concentrate on basic folk-blues fundamentals: getting good tone, alternating thumb technique and “dead thumb” technique, and adding melodies in the treble strings. We’ll learn an easy blues tune or two along the way. Some TAB-reading skills will be helpful, so we’ll do a quick primer on it at the beginning of the class.
Fingerstyle Guitar Basics
Kat Bula
- Week 2
Level 2
Ready to put down that flatpick and try something new? We’ll start from scratch, getting your fingers working independently in basic patterns. Fingerstyle is applicable to just about every genre; we’ll explore a few in this class.
Fiddle Lab: Playing in Weird Keys
Kat Bula
- Week 2
Level 2–4
Afraid of flats and sharps (at least when they congregate in a certain quantity)? Let’s get you past that. A world of tunes—and singers to play with—will open up to you!
Improvise on Classic Country & Western Swing Songs
Katie Glassman
- Week 1
Level 2–4
We’ll two-step over to the chord progressions and melodic embellishments that help you improvise on classic country and western swing songs. Western swing music found its roots in country, breakdown fiddling, and jazz. The combination of these regional styles formed a unique string-based big-band sound in the ’40s and ’50s, centered on the seminal western swing band, Bob Wills and his Texas Playboys. These fiddlers could seamlessly jump into a country band and play the long-bow style that fits those country shuffles. That could be YOU! Delve into my signature fiddlers “block system” for improvisation. These blocks, which focus on patterns across two adjacent strings, are specifically designed to give people improvisation tools they can use right away. Using guided repetition to solidify your skills, you’ll bring these to three songs that we'll learn top to bottom, so you'll be ready to join the band with everything from melodies and vocals to playing with the chord changes and improvising in the style!
Classic Country & Western Swing Melodies
Katie Glassman
- Week 1
Level 2–4
Texas-style fiddle greats like Bob Wills grew up playing foot-stomping breakdowns for contests and square dances, then brought their fiddles to the bandstand to join in on country weepers, western swing, and cowboy songs. We’ll focus on learning the melodies and fiddle stylings of those early country favorites as we play songs by Hank Williams, Bob Wills, and the Sons of the Pioneers. Get ready to expand your jam repertoire, improve your fiddle skills, and kick up your heels!
Guitar Soloing for People Who Have No Clue
Kristina Olsen
- Week 1
Level 2–3
Do you freeze up when someone says “take it!”? Do you wonder how to go from playing chords to playing single-note leads? Do you worry that your guitar-playing friends will start to talk behind your back? Come to this class and learn how to dazzle those nay-sayers with your new skills. We’ll start with building a solo out of just a few notes in a safe and un-terrifying way, with just enough theory to aid comprehension but not confuse.
Arranging for Songwriters
Kristina Olsen
- Week 1
Level 2–5
Many songwriters have lovely words and melodies that can be deadened by repetitive, humdrum arrangements. We’ll look at ways to make your songs stand out and sparkle. This class is oriented mainly for guitarists, but all instruments are welcome.
Percussion!
Michaelle Goerlitz
- Week 1
All levels
We’ll focus on a few African-based rhythms that have been incorporated into folkloric Cuban and Brazilian (and American) music. Clave, congas, sticks, rumba, tumbao, bembe, and samba await!
Rhythm Training
Michaelle Goerlitz
- Week 1
All levels
Rushing or dragging? Not sure where “the 1” is? Want to play auxiliary percussion? Add to your musical toolbox by unraveling polyrhythms and learning basic techniques on some common percussion instruments.
Rhymes With Orange
Michael McNevin
- Week 1
All levels
A lyric kernel lands in your lap like a wind-blown buck. Now what? Expand it to a full line, flesh out a verse or chorus. Now what about the rhyming? Do they limit or expand your poetry palette? Push the limits of the rhyme box; our lyric language is infinite, creative, surprising. Discover those odd rhymes, soft rhymes, bold rhymes, internal rhymes, perfect rhymes within your narrative. It can seem like a series of happy word accidents that become something uniquely yours.
Melody Spaghetti
Michael McNevin
- Week 1
Level 2–4
As a lyric can take us on a visual journey, the melody delivers it to our doorstep. Birds do it so well, so can we. Melody has an instant impact on the lyric being sung. It is why we love certain songs so much. Two different melodies sung over the exact same lyric can make a song funny or sad, intense or loose. Bring any song idea you have cooking, and let's throw melodic spaghetti at the wall and see what sticks.
Essence of the ‘Ukulele
Neal Chin
- Week 1
Level 1–2
Join us as we explore the wonderfully wide world of the ‘ukulele! We’ll cover basic techniques, work on some ‘ukulele standards, dig into the history, and ultimately create a lens to approach the instrument, highlighting its unique voice. Class designed for beginners and the ‘ukulele curious.
Ukulele Jazz
Neal Chin
- Week 1
Level 3–4
Ever wanted to explore the world of jazz through the ‘ukulele? We’ll learn some of the essential elements of the genre, including how to comp, basic soloing, and a little bit of chord melody. Some theory, the ability to play chords around the fretboard, and a little bit of picking experience will help you get the most out of this class.
Let’s Make That Song All It Can Be
Nina Gerber
- Week 2
Level 2–4
You’ve got a song you wrote or one you really love to sing but your guitar playing is getting in the way of making it sound like what you want. You don’t have to be a super guitar player to take this class. We’ll start from where you are technically and work on enhancing your playing.
Theory Applied to Guitar
Nina Gerber
- Week 2
All levels
Knowing where you are, where you’re going, and how to get there makes for a smoother trip. This class will start you on the path to understanding the fretboard. Whether you’re looking to play more leads or find more chords, a little knowledge goes a long way (practicing helps too).
From the Bottom Up!
René Worst
- Week 2
Level 3–4
Take your bass playing to the next level by stepping up your technique. Walking lines, swing, and western swing, plus bossa nova and even something funky, plus a little functional harmony to spice up your lines and solos.
Bass Basics
René Worst
- Week 2
Level 1–2
We’ll cover left- and right-hand positions—and coordination between the two! Learn how to find the notes on the bass with a variety of song styles and feels: bluegrass, country, classic pop, and swing.
Main Act
Rick Dougherty
- Week 1
Level 3–4
This class is for singers who want to continue to develop their singing and vocal style. We’ll explore vocal styles used in different types of music, phrasing, dynamics, tonal variation, and delivery. There will be lots of individual work in this class so you can bring some songs you want to work on. We’ll look at what you can do to bring out the best in the songs you’re singing. You’ll find you can learn a lot from listening to other singers work on their technique and styling.
Opening Act
Rick Dougherty
- Week 1
All levels
This class is for anyone who wants to learn how to open up their voices and let their tone ring out. We’ll cover the mechanics of producing a fuller tone, increasing projection, and sustaining your voice through longer phrases. We’ll learn exercises for warming up, building breath control, understanding placement, and discovering the different tones available to you, then we’ll put them all into practice with songs we can sing together.
Color Tones for Chords
Ron Peters
- Week 1
Level 4–5
Adding color tones to chords can richen and enhance your accompaniment, but they are not (or shouldn't be) random choices. Learn how to pick the right extensions (9, 11, 13) for your voicings and even how to alter them for maximum effect. Be a star at your next jam or gig! For this class, you should already know major scales and basic chord shapes.
Strummers Survival Guide
Ron Peters
- Week 1
Level 2–3
Strumming along with friends at a jam but finding it hard to find the “groove” of the song? Learning the chords is one thing but you have to know how to “voice” them to make the song sound right for the style. This class will cover the best voicings (chord shapes) for the song and also the rhythmic strum patterns that define the song, whether it's folk, swing, pop, rock, blues, or country.
Fingerstyle Potpourri
Roy Berns
- Week 2
Level 3
What do you do after you get comfortable with alternating thumb and some melody notes? This class, of course! We’ll learn (or review) classical, fingerpicks, and hybrid (flatpick) right-hand techniques focusing on tone production. Then, arpeggios, up the neck, exploiting open strings, dropped D, keeping time, and so on. We’ll triage songs and techniques you’re struggling with and offer solutions. Bring a device to record the teacher (we won't be using tablature or conventional notation). Bring your picks, or not.
Country Guitar Tricks and Licks
Roy Berns
- Week 2
Level 4–5
Want to be a lead guitarist in a vintage C&W or western swing band? This class is for you. First and foremost, we’ll learn how to play melody in interesting ways, including double and triple stops, note bending, different neck positions, reducing notes per second, and other devices. Songs will include Buck Owens and western swing. You should be comfortable going up the neck and understand the CAGED system. We’ll use hybrid picking and focus on tone production. Bring a device to record the teacher (we won't be using tablature or conventional notation).
Crank It Up!
Steve Smith
- Week 2
Level 3–5
This mandolin class will help you focus on using double stops, chord voices, and scales mixed in with tunes. We’ll work on getting “that sound and drive or pulse” in your music from bluegrass and old-time to roots styles. We’ll also focus on consistency of sound so your music will rise. Bring a strap for your mandolin.
Mandolin Kickstarter
Steve Smith
- Week 2
Level 1–2
Whether you’ve been playing for three months or three years, developing and staying in touch with the basics will help you build and maintain your mandolin skills to help move to the next level. Proper right- and left-hand techniques are a sure way to get you down the mandolin road in all styles. We’ll work on consistent pick direction, finger placement, and chord shapes, major and minor pentatonic scales, and a few tunes. We’ll work by ear and with handouts.
Beginning Guitar
Susan Peña
- Week 2
Level 1
Instruction on basic chords and simple harmonic progressions for different song forms. No experience necessary.
Moving on in Swing: Intermediate Swing Guitar
Sylvia Herold
- Week 2
Level 3–4
This class is for those who have previously taken a swing guitar class or two. You’ll learn a selection of standards, ballads, Latin, and show tunes as you expand your chord vocabulary—including inversions—and practice right-hand strumming for the all-important swing feel. Soloing and singing are encouraged!
Cumbia
Susan Peña
- Week 2
Level 3
The cumbia is a dance that originated in Colombia but is wildly popular throughout Mexico and other parts of Latin America. This class will cover rhythmic concepts and vocal and instrumental leads for a beginning repertoire of well-known cumbias. The leads will be taught on guitar but can be adapted to violin or other instruments.
Swing Gently: Intro to Swing Guitar
Sylvia Herold
- Week 2
Level 3
How does one get from playing first-position chords (G, C, D, etc.) to playing swing and jazz? I’ll show you the way! I’ve helped hundreds of students discover the joys of playing up the neck using simple swing tunes and a pared-down palette of chords. We’ll spend most of our time playing, strumming, and gently swinging to a selection of old-fashioned songs.
Guitar Chord Melody, Fingerstyle or Flatpicked
Tony Marcus
- Week 2
Level 4–5
It's a simple concept: Voice the melody of a song on top of the song's chords. In learning a few standards played this way, we’ll also get better acquainted with the mysteries lurking above the fifth fret.
Fiddling With Singers
Tony Marcus
- Week 2
Level 2–4
The sound of a fiddle and a human voice complement each other in a wonderful way. This class will concentrate on how to make beautiful music with a vocalist/guitarist. We’ll work on strategies for adding to rather than distracting from the singer and the song.