CCMC Teachers: WEEK 1 • JULY 11-17, 2026

CLASS LEVELS: 1–Beginner | 2–Advanced Beginner | 3–Intermediate | 4–Advanced | 5–Expert

Skip to WEEK 2 | See a filterable list of classes

Elian Carbone

Elian Carbone Garcia Treviño is a songwriter and dancer who divides his time between Havana, Cuba, and Bellingham, WA. Elian comes from a Syrian, Mexican, and Italian family, a colorful combination that fuels his passion for community, narrative, movement, song, and—naturally—food! Currently, he works for two nonprofits: Bellingham Food Bank and the Puget Sound Guitar Workshop. His educational background includes undergraduate, graduate, and technical studies in education, counseling psychology, and massage therapy. He maintains an active teaching schedule, offering Cuban dance instruction through his company, The Cuban Dance Project, and leading songwriting workshops at events such as the Puget Sound Guitar Workshop, California Coast Music Camp, Northwest Writers’ Weekend, and A Wonder of Songwriters.

  • Cuban Dance

    All levels

  • A survey of diverse Cuban dance styles. Learn the basics of social dances (casino, rueda de casino, don, mambo, cha-cha-chá), folkloric forms (rumba), and urban genres (reggaeton, reparto). Styles will be explored across solo (“suelta”), partner, and group contexts. Special attention will be given to the ways these dance styles can improve your musicianship.

  • The Songwriter Toolbox

    Level 2–4

  • We’ll explore songwriting tools such as prosody, recoloring, reharmonization, forward motion, and spotlighting. The class is a creative space: expect plenty of writing, playing, tweaking, and collaborating.

Luke Clingerman

Luke Clingerman is a bassist, educator, and composer from the Bay Area. Luke has taught at the Jazz School, within the Pleasanton Unified School District, and privately for many years. Luke performs and records with various groups and styles including the Adrian West Band, Pure Hex, Just Friends, Helen Orzel, and his own jazz group, Luke Clingerman and Friends. He has spent a lot of time in recent years touring the U.S., Europe, and Canada. While in school he studied with Jeff Denson and Dann Zinn at the California Jazz Conservatory, as well as with Cindy Browne Rosefield at LPC.

  • Bass 101

    Level 1–2

  • The perfect space for those who are new to the instrument, looking for a refresher, or just interested in the bass! In this class we will cover the basics needed to get you playing with confidence and accuracy. Topics will include how to get a good tone, correct hand positions, what makes a good bassline, and how to fit in various styles of music.

  • Walking Bass and More!

    Level 3–5

  • This intermediate class is for those who want to take a closer look at the techniques, rhythms, and grooves that shape jazz style bass playing. Starting with the blues and classic jazz standards, we will talk about walking bass lines, improvisation, understanding chord symbols, and common chord progressions. We’ll use skills learned to help inform our creation of basslines in all genres. Suggested prerequisite: acquaintance with basic major scales and triads.

Marla Fibish

One of the prominent voices of the mandolin in Irish music, Marla Fibish brings a deep and distinctive sensibility to the tradition on one of its lesser-heard instruments. An experienced and sought-after teacher, Marla teaches private students and classes, online at Peghead Nation, and has been on the faculty of many music camps including The Swannanoa Gathering, The Mandolin Symposium, Puget Sound Guitar Workshop, O’Flaherty Irish Music Retreat, Portal Irish Music Week, and Lark Camp. Her instructional DVD has been a popular self-learning tool, focused on acquiring the foundational technique for playing Irish music on the mandolin.

Marla’s newest recording is a 2025 project with fiddler Rebecca Richman entitled Playdate. Her playing is also featured on her solo album The Bright Hollow Fog, and a duo CD with legendary Irish singer and bouzouki player Jimmy Crowley.

Marla also plays mandola, tenor guitar, and button accordion, and is a singer and a composer. She is known for her musical settings of works from a variety of poets, as well as original tunes written in traditional forms. This work is featured in the duo Noctambule, her longtime collaboration with guitarist and husband, Bruce Victor. Together they have released 4 albums, most recently Every Migrant Is My Fellow.

  • Irish Repertoire/Three Handy Sets!

    Level 2–4

  • A repertoire class and then some! We’ll learn Irish tunes in a few seisiún-ready sets (clusters of tunes) so you’ll have them in your pocket the next time someone asks you to start a tune. We’ll talk about Irish music sensibilities and musicality, and work on getting the lift of the music into your playing. We’ll talk about how to enjoy and get the most out of playing in seisiúns, the natural habitat of Irish music. Recordings and notation of the tunes we’ll be working with are available here, so you can give the tunes a good listen and get them lodged in your head. Open to all instruments!

  • Slow Is Beautiful!

    Level 2–3

  • Newer mandolin players often avoid waltzes and slower tunes for fear of making the long notes sing. In this workshop we’ll look at techniques in addition to the commonly used tremolo to bring out the beauty in the slower music on the mandolin. Improving our picking and fingering technique to maximize sustain, adding simple ornamentation like hammer-ons, slides, grace notes, double stops and drones, and creating an underlying bed of rhythm and movement with our picking on which the tune can dance. And we’ll learn some beautiful tunes in the process! Recordings and notation of the tunes we’ll be working with are available here.

Nina Gerber

Since Nina Gerber first gained recognition accompanying Kate Wolf, her acute skills as a performer, producer, and arranger have continued to deepen. Her contributions to acoustic music have earned her a loyal following and proven that, when it comes to creating honest, powerful, and beautiful music, the shadow can equal the spotlight. Nina has a unique ability to completely free herself within an eclectic range of styles. Presented with folk, country, bluegrass, rock, or blues, she falls into leads that have rare reverence for the true feeling of a song, always emphasizing taste over technical display. She seeks to express through her hands, rather than to gain attention, and it is this integrity that makes her expressions worth intent listening.

  • Theory Applied to Guitar

    Level 3–5

  • Knowing where you are, where you’re going, and how to get there makes for a smoother trip. This class will start you on the path to understanding the fretboard. Whether you’re looking to play more leads or find more chords, a little knowledge goes a long way (practicing helps too).

  • Play Well With Others

    Level 4–5

  • Playing music with others can be a deeply moving, exciting experience. In this class, we’ll explore ways of playing together without banging out the same chords the same way at the same time as everyone else. From using different voicings, to different rhythms, to different melodic lines, to knowing when to play and when to lay out, we’ll experiment with ways to play music WITH each other instead of AT each other.

Katie Glassman

Katie Glassman is one of today’s leading Texas-style and Western Swing fiddlers—an award-winning performer, champion improviser, and sought-after educator. A national Texas-style contest winner and longtime touring artist with The Western Flyers and her band Snapshot, she’s known for her soulful tone, inventive variations, and deep command of swing phrasing. Katie has performed and taught across the country, studied with many of the great Texas masters, and is the founder of Fiddle School, a thriving global learning community. Acclaimed for her clear methodology and creative approach, she helps fiddlers develop stylistic authenticity, improvisational fluency, and confidence onstage and off.

  • Fiddle Dance Tunes

    Level 2–3

  • From square dances and waltzes to blues and country, we’ll have fun focusing on what makes fiddle tunes move. We’ll dig into clear, memorable melodies and the authentic bowing styles that bring them to life—creating groove, lift, and natural flow. You’ll learn how subtle bow choices shape rhythm and feel, helping your playing sound more grounded, more rhythmic, and more danceable across styles. The skills from this class carry straight into jams, dances, and any music where the fiddle leads the feel.

  • Western Swing Fiddle

    Level 3–5

  • We’ll explore Western Swing through melody, harmony, rhythm, and improvisation—one layer at a time. Beginning with melody and twin fiddle, bowing feel, guide tones, and improvisation, we’ll build each skill progressively. You’ll learn classic Western Swing repertoire, craft variations, explore twin-fiddle textures, and develop a personal approach to soloing using Katie’s layered improv system. A great fit for fiddlers wanting authentic Western Swing phrasing and more freedom on the fingerboard.

Ryan David Green

A graduate of Boston’s Berklee College of Music, Ryan David Green has performed on four continents, been profiled in Acoustic Guitar magazine, endorsed by Takamine Guitars, and twice been named “best guitarist” in the Tucson Music Awards (where he currently resides). He was awarded first place in the 2024 American Songwriter Song Contest and his original compositions have received numerous film and TV placements, including shows on E!, Lifetime, and ABC Family/Freeform. His acoustic-duo Ryanhood (with musical partner Cameron Hood) has performed with a wide range of artists including Jason Mraz, Matt Nathanson, and Train, and was named the “best group/duo” in the International Acoustic Music Awards.

  • The Magic of Modes

    Level 2–4

  • The modes provide us with a wide range of emotional colors far beyond just plain old major and minor keys. Each day we’ll explore a new mode and its unique tonality, look at some well-known songs that use that mode, learn how to write our own songs in that mode, and even learn some melodic basics to play melodies or solos in that mode.

  • Arranging Pop/Rock Songs for Solo Guitar

    Level 2–4

  • Ever wished you could play the chords and melody to a song all together on the guitar? You can! Each day we’ll take a pop/rock song and arrange it for solo guitar in real time. The arrangements will be complete, recognizable, and full sounding, while remaining accessible. (Bring a capo.)

Sylvia Herold

Sylvia Herold brings to CCMC a deep enthusiasm and knowledge of jazz, swing, and folk songs. Researching songs and developing guitar arrangements fuels her artistic passion. Her performing credits include the popular swing trio Cats & Jammers, Euphonia, Hot Club of San Francisco, and Sylvia Herold & the Rhythm Bugs. Sylvia currently performs with the Celtic Grateful Dead band Wake the Dead and with her jazz combo, the Sylvia Herold Ensemble.

  • Advanced-Beginner Swing Guitar

    Level 3

  • This class is a continuation of “Intro to Swing Guitar.” We’ll play songs that rely heavily on 6 and 7 chords. Then we’ll gradually add the next level of four-note jazz chords: minor 7 and diminished chords. These chords open the door to a broad repertoire of swing and jazz, and we’ll spend most of our time playing and singing a selection of sophisticated but not-too-difficult swing songs. This class might be appropriate for students who have not taken Intro to Swing if they have some experience with jazz and are up for a challenge.

  • Great American Songbook: Intermediate Swing Guitar

    Level 3–4

  • This class is for those who have previously taken a couple of swing guitar classes. We’ll play a selection of standards, ballads, Latin, and show tunes as you expand your chord vocabulary—including inversions—and practice right-hand strumming for that all-important swing feel. Soloing and singing are encouraged!

Ed Johnson

Classical. Brazilian. R&B. Jazz. Afro-Cuban. Pop. Rock and Roll. Country. Folk. Ed Johnson’s mastery of so many different styles, coupled with a passion for harmony vocal and horn arrangements, all factor into a magical blend of vibrant, original contemporary jazz that has won fans and airplay worldwide. As a vocalist, Ed Johnson is frequently compared to Ivan Lins, Milton Nascimento, Kenny Rankin, and Michael Franks. As a guitarist and bandleader, critics often cite the lushly exotic, accessible sounds of Airto and Flora Purim. Ed has numerous recording projects to his credit, in addition to producer’s credits for other singer/songwriters. His latest album with Novo Tempo, For Every Living Thing, was recenty released on Cumulus Records.

Based in the San Francisco Bay Area, Ed tours throughout the West Coast with his Brazilian-flavored band Novo Tempo and with the Folk/Americana band Cabin Fever Northwest. He is a sought-after producer/arranger as well, with many project to his credit. As a teacher, Ed has taught private and group lessons in both guitar and voice at Gryphon Stringed Instruments for 40 years. With his many years of experience, he provides a knowledge of all aspects of guitar and vocal techniques that few can match, plus an affinity for teaching students at any level of ability.

  • Swing/Jazz Band Lab

    Level 3–5

  • Calling all instruments and voices! Learn to make a joyful noise together, working with standards from the Great American Songbook, blues, and Latin repertoire. Learn how to work through a chart, put together an ensemble arrangement, cue bandmates, and give a song its best presentation. Charts provided daily; music reading skills are helpful but not a prerequisite.

  • Brazilian Song Repertoire

    Level 4–5

  • Learn the techniques for playing Brazilian samba, bossa nova, baião, and other regional styles, through the beautiful, timeless songs of artists such as Ivan Lins, Milton Nascimento, Chico Buarque, Antonio Carlos Jobim, Joyce, Rosa Passos, and others. Standard notation and tablature is provided daily, and vocalists are more than welcome to attend—these songs are meant to be sung!

Steve Kritzer

Bay Area music veteran Steve Kritzer is an award-winning singer-songwriter, entertainer, multi-instrumentalist, instructor, jam leader, and regular part of the CCMC teaching staff for several years. A “man of many musics,” Steve moves effortlessly between originals, Irish, bluegrass, country, classic rock, big band swing, and traditional folk. An accomplished guitar, ukulele, banjo, and mandolin player and teacher, Steve’s relaxed personable style on stage and in the classroom makes him a popular call back at festivals, concerts, coffeehouses, and teaching camps from California to Ireland. When not teaching, recording, or performing, he’s his “own grandpa” with his now 17-year-old daughter.

  • Jump on the Ukulele Wave

    Level 1–2

  • If you’ve been wanting to see what all the fuss is about with this rapidly growing, easy to play, and fun instrument, now’s the time. We’ll start with some easy two-, three-, and four-chord songs with tricks for easier chord changes. We’ll cover some of the basic right-hand strums including the popular “island” strum, and practice singing and playing at the same time. Might even get to a little fingerpicking! If you know a few of the basic chords (C, G7, Am, F), that would be helpful, but if you’re a total newby, we’ll get you caught up right away.

  • Beginning Guitar

    Level 1–2

  • If you’re a newby or have just been playing a short while, this class will quickly give you the tools to play on your own or join in with others. Using fun, easy, and familiar songs, we’ll cover tricks to more fluid chord changes, some basic strums, how to sing and play at the same time, and maybe even a little “boom-chuck” and flatpicking.

Adam Kulakow

Adam Kulakow has played with singers, songwriters, and ensembles all over Southern California, alongside a career as a film & TV writer, producer, and director. He performs as a duo with fiddler Katie Glassman and teaches performance and mindset tools through her Fiddle School, as well as guitar and mandolin accompaniment, jamming skills, and repertoire at camps and special events. Adam is the mandolin winner of the 2024 Topanga Banjo Fiddle Contest. In 2023, he wrote or co-wrote songs while playing mandolin, guitar, banjo, and ukulele for the album Alive Tonight by the acoustic Americana band the Wholesome. Whether it’s leading a hootenanny, playing backup in a fiddle contest, or teaching a tune, Adam is all about lifting people on their musical journeys, having fun while leveling up.

  • Jamming Skills and Repertoire

    Level 2–3

  • Let’s get you grooving on a variety of songs and styles, from folk, country, and swing to blues, bluegrass, and rock. How do you build repertoire? How can you have fun playing with other people and offer more at a jam session? We’ll learn chords and strums that go with our favorite songs along with a bass run, fill, or riff that can light up a campfire. We’ll discuss jam etiquette and some classic dos and don’ts. We’ll also explore theory basics like notes, chord progressions, and keys so that you can deepen your musical vocabulary and have more ease joining the jam or trying your hand at improv. The better you understand how songs work, the easier they are to learn and remember. All instruments welcome.

  • Instigator

    All levels

  • Whether it’s finding (or starting) that perfect jam or helping you pick the right class for your interests and level, I’m here to help. Want support for a song you’re working on? Ask me! Want to play a tune? Let’s play!

Evie Ladin

Banjo player, singer/songwriter, percussive-dancer, choreographer, and square-dance caller Evie Ladin grew up steeped in traditional music and dance. Her performances, recordings, and teaching have been heard from “A Prairie Home Companion” to Lincoln Center, Hardly Strictly to Celtic Connections, Brazil to Bali. In 2024 she released two CDs: live originals from her Evie Ladin Band, and her second of fiddle/banjo duets with 17 different fiddlers, Riding the Rooster Two. Evie directs the moving choir MoToR/dance, co-founded the International Body Music Festival, teaches banjo at Berkeley’s Freight & Salvage and online at Peghead Nation, and writes clever, poignant, and funny songs.

  • Clawhammer Banjo

    Level 2–4

  • What is that rhythmic whomp that makes clawhammer banjo so funky? How does clawhammer banjo fit into any jam? Emphasizing ear training and skills for jamming in any style, we’ll take a look at tuning, rhythmic patterns, and exploring the neck to be able to play with anyone in the clawhammer style. Including and beyond tune repertoire, the class will address the gaps in your knowledge and practice. Students should have the basic bum-diddy and basic familiarity with both G and Double C tunings.

  • Old-Time Harmony Singing

    All levels

  • Whether you want to learn more about finding harmony parts, feel stronger about holding harmonies, be more confident in your vocal technique, increase your repertoire of Appalachian songs, or just enjoy singing in harmony in an old-time style, this class is for you. We’ll use a variety of approaches in the tradition to increase your skills. Exploring Carter Family songs, hymns, and other old-time songs, we’ll sing sing sing, while developing skills for listening, blending, and making harmonic choices. 

Carol McComb

Carol McComb is a vocalist, songwriter, and multi-instrumentalist with over 45 years of performing, recording, and teaching experience. She wrote a best-selling guitar instruction book for Klutz Press, has taught thousands of people to play guitar and sing in her workshop series at Gryphon Stringed Instruments in Palo Alto, and now teaches her weekly classes to students all over the world. She has been a frequent contributor to Acoustic Guitar magazine and has taught at several music camps around the country and in Canada. Carol was a member of the popular California-based band the Gryphon Quintet, and has toured with both Linda Ronstadt and Joan Baez. She is currently one half of the duo Kathy and Carol.

  • From Hank to Linda

    Level 2–5

  • Classic country songs from the early 1950s though the 1970s, into the birth of country rock. A week full of country music’s finest songs complete with flatpick strums, runs, and easy fills. This class will also work for fingerstyle students. Hugely fun!

  • Fingerpicking Essentials and Nuances

    Level 2–3

  • We’ll start by reviewing fingerpicking basics and improving our right-hand tone and technique. We’ll spend the rest of the week exploring the myriad right-hand patterns available, from simple arpeggios to double thumb movement, pinches, adding simple fills, and moving bass lines. At the end of the week we’ll apply this new knowledge to Travis-style patterns.

Ami Molinelli

Ami Molinelli is a professional percussionist and educator specializing in American Roots, Brazilian, and Latin percussion. Her performance and recording credits include theater and television, and she’s a freelance performing artist. She’s endorsed by Latin Percussion (LP) and Rhythm Tech. She is co-founder of the choro group Grupo Falso Baiano, which has three albums, and leads the Brazilian Jazz Collective group in San Francisco.

  • Who Needs a Drummer When You Have a Pandeiro!

    All levels

  • Learn how to play the Brazilian tambourine—the smallest and coolest drum machine ever made! We will also bring in other Brazilian percussion instruments including tamborim, tan tam, the Brazilian matchbox, ganzá, etc. We will collaborate with Brian Moran’s guitar class to accompany songs. I will have extra pandeiros and other percussion for those who don’t have a drum.

  • Percussion Biology: Funk It Up!

    All levels

  • Explore the basic foundations of rhythm and how it applies to cultural and musical contexts throughout the Americas. We’ll look at why it’s difficult to play syncopated rhythms and be able to hold the pulse, and learn to hear the layers that make polyrhythms so interesting yet challenging. We”ll also see how percussion instruments such as spoons, sticks, shakers, tablas, and more have shaped music. Instrumentalists and vocalists are welcome!

Brian Moran

Brian Moran is a guitarist and multi-instrumentalist (mandolin, bass, cavaquinho, ukulele), known as a diverse and passionate performer, educator, composer, and producer. A graduate of Berklee College of Music, he is fluent in many styles including jazz, Brazilian, classical, flamenco, R&B, rock, and pop, with 30+ years of experience. He is known for his solo guitar arrangements of contemporary and classic songs, often infused with Latin influences, and he leads and performs in a variety of group projects, many specializing in Brazilian music (Oakland Samba Revue, Grupo Falso Baiano, Jorge Alabê, Ever Music Group, among others). Brian has also been featured on over a dozen studio recordings as a sideman, composer, and arranger. As an educator, his articles have been published by Acoustic Guitar magazine, and he has been a faculty member at Jazz Camp West, Oakland Feather River Camp, CA Jazz Conservatory, and Cal BrazilCamp.

  • Level Up Your Blues

    Level 2–4

  • The blues is an eternal source every guitar player draws from, and provides endless musical soil to till. This class will have a bit of everything, from rhythm playing to improvising solos. Major blues, minor blues, using pentatonics and modes, guide tones, 3-note voicings, jazz-blues forms and approaches; if you’re curious about it, we’ll get into it!

  • Brazilian Guitar Basics

    Level 3

  • This class will cover common grooves, chords, and songs in bossa nova and samba, including singing in Portuguese for those who want to. By mid-week we’ll team up with Ami Molinelli’s Brazilian Percussion class and see how the guitars and drums connect. Vamo la gente!

Antoinette Olesen

Nashville (“Music City”) is home to songwriter, performing artist, and producer Antoinette Olesen. She’s written for and served as Creative Director for several music publishers on Music Row, cowriting as well as working with the songs of numerous hit writers as well as up-and-comers. From professional horse trainer to touring musician, she has performed thousands of shows throughout the world. Antoinette has sung with many music icons such as the Grateful Dead, Bonnie Raitt, Martha Reeves, Taj Mahal, and the Doobie Brothers. She has won multiple awards including the Art Guild “Words and Music” as well as a “Parents Choice Award” for a Children’s Album collaboration. She has song cuts with numerous artists and bands along with film/TV sync placements. Antoinette works with all levels of experience and writes in genres from pop, folk, country, and rock to Americana, singer/songwriter and bluegrass.

  • Make Me Dance, Laugh, Love, Cry...Break My Heart

    All levels

  • This songwriting class is a journey that will focus less on the technical and music theory and more on allowing ideas, passion, melodies, and structure to emerge from emotions, feelings, and life stories. You’ll learn to write and turn good songs into great songs in an enjoyable atmosphere. Bring your ideas, melodies, titles, and you will most likely have a song by the end of the week. If you currently have a completed song, please bring it with a printed lyric sheet.

  • Move Me

    All levels

  • Whether you are a seasoned performer or just looking to get your toes wet, you will blossom in this inspiring, safe atmosphere to bring out the best in you. We’ll have fun while learning specific methods for you to best connect with your audience and hold their attention. We will work in an enjoyable, relaxed manner to stake your claim on the stage and avoid common mistakes that even some pros make. We’ll be covering mic technique and placement, diction, dynamics, etiquette, set lists, song keys, and dealing with difficult situations. Most of all, you will gain confidence to enjoy the spotlight and perhaps be inspired to play at the student concert. All genres and instruments welcome.

Ellen Robinson

One of the Bay Area’s busiest music directors, jazz singer Ellen Robinson has helped take many a vocalist from the level of simply wanting to sing to actually being on the stage. Currently she is directing two performing groups which she founded in 1981, the longstanding Anything Goes Choruses in San Francisco and the East Bay, as well as leading other community singing groups and teaching private voice students of all ages. She has been honored with a prestigious Jefferson Award for her many decades of community service through her music. Ellen is also at home as a performer herself with a bevy of sold-out shows in her wake and several CD recordings. Her musical journey has led her through a variety of musical styles: singer-songwriter, folk, rock, bluegrass, the Spoolie Sisters (an Andrew Sisters–type trio), cabaret, musical theater, Vocolot (a women’s a cappella sextet), and, finally, jazz. With this diverse background, she is notable for guiding vocalists toward mastery of nearly any genre of song. “As a singer you are the instrument. There’s nothing between you and the audience, so I believe this makes singing one of the most exhilarating ways to make music. Creating music and helping people find their own voice is what I was put here to do.”

  • Vocal Technique for the Mature Voice

    All levels

  • Singing is a skill that requires physical agility, stamina, and strength. Singers are vocal athletes using delicate moving parts, and that vocal mechanism can begin to break down over time. As you get older, or simply by not knowing how to use your voice correctly, it can become croaky or thin, or the pitch can drop and become heavier, or you may find that you have less lung capacity and not as much power in your voice as you would like. In this class we’ll develop habits that will help keep your voice healthy and in good shape for the rest of your life. Then we will apply these techniques to different songs in each class. There will also be an opportunity for mini lessons and specific feedback.

  • The Magic of Harmony Singing

    Level 2–4

  • This class is all about having fun singing in harmony. We’ll start with some rounds and partner songs, and then move on to three-part harmony, a variety of musical styles from jazz to gospel to pop, and beyond. You’ll be reading from sheet music as well as learning by ear. Come ready to challenge yourself and hold your part and as we raise our voices and create glorious harmony!

Ukulenny

Ukulenny brings positive energy and excitement to every ukulele-playing moment, whether it’s busking in a train station or leading a jam for hundreds of players. Lendl San Jose became “Ukulenny” while honing his music teaching skills at the Oakland School for the Arts. He’s been a featured instructor and performer at many ukulele festivals, including the San Francisco Summer Ukesplosion at Yerba Buena Gardens, Reno Ukulele Festival, Ashokan Uke Fest, the Midwest Ukulele and Harmonica Camp, and the Grand Northern Ukulele Festival in England. His YouTube channel has grown to over 75,000 subscribers and his instructional video series and e-book, “Moving on Up,” was recently released at Ukulele magazine’s online store. Ukulenny’s performances often feature his one-man band, as he adds bass, beatbox, saxophone, and vocals to an eclectic mix of reggae, R&B, pop, and classic rock. He currently teaches ukulele and U-Bass workshops on Patreon and preaches the ukulele gospel wherever he goes.

  • Uke Can Improv Too!

    Level 3–4

  • In a world where strumming often takes center stage, ukulele players rarely take the time to study improvisation. However, learning to take solos can greatly improve your finger strength, coordination, and ability to play by ear. In this class we’ll explore improv through genres like pop, folk, Hawaiian, blues, and jazz so you can truly “make it up as you go!”

  • Uke Ensemble

    Level 3–4

  • We’re making the band, ukulele style. This class brings the standard strum-and-sing approach up a notch as we add three-part harmonies, solo ukulele lines, and ukulele percussion to our CCMC Uke Ensemble. Auxiliary instruments such as percussion and horns are also welcome!

CCMC Teachers: WEEK 2 • JULY 18-24, 2026

CLASS LEVELS: 1–Beginner | 2–Advanced Beginner | 3–Intermediate | 4–Advanced | 5–Expert

Skip to WEEK 1 | See a filterable list of classes

Caitlin Belém Romtvedt

Caitlin Belém Romtvedt grew up in a house full of music in northern Wyoming. She fell in love with the fiddle at a young age and started playing, both through private lessons and with her parents. Later, through school, friends, and family, she began to play alto saxophone and guitar. Since then, she has had the incredible good fortune to live, study, and play music in Brazil, Cuba, the Basque Country, Ohio, New York, and Seattle. Caitlin has played with the groups Maracujá, Ospa!, At Five, Sunpie and the Louisiana Sunspots, Modern Bygones, The Fireants, Arrabita Taldea, and JunTaJo. She has experience teaching music, social dance, Capoeira Angola, and Spanish in university and school settings as well as various music festivals, camps, residencies, and workshops. Currently, she is a PhD candidate in ethnomusicology at the University of California, Berkeley, and a member of GAIT, the social change research group at the University of the Basque Country. Her research deals with the intersections of music, dance, and language use in the Basque Country.

  • Social Dance Comfort

    All levels

  • This survey of popular social dance styles—two-step, waltz, swing, blues—and potentially zydeco or salsa—will focus on the lead/follow connection, musicality, and rhythm. The class aims to help you be more comfortable partner dancing and to have fun!

  • Intro to Improvisation

    Level 3

  • We’ll use a few different methods to think about improvisation—building off of and varying melody lines, working from an understanding of a song’s harmonic structure, and developing our musical intuition and understanding of a style. Come have fun and gain comfort improvising! All instruments are welcome.

Neal Chin

Award-winning artist and Maui native Neal Chin has been both an ‘ukulele educator and performer over the course of his 20-year musical career. His clear and direct enthusiasm for music has come to life in countless workshops, concerts, and private instruction. He’s been nominated for the Nā Hōkū Hanohano Award for ‘Ukulele Album of the Year two years consecutively, for ‘Ukulele Paintings and The Spotless Mind, in 2017 and 2018. Neal has toured across the U.S. and currently lives, teaches, and performs in Seattle, WA.

  • Advanced Ukelele

    Level 4–5

  • A class for ‘ukulele students who are looking to really challenge themselves. We’ll refine our advanced techniques, unpack the subtleties of harmony, do a little bit of arranging, and learn how to create your own roadmaps to jamming. We’ll explore some of the classics and learn about the development and history of our humble instrument. Must be comfortable playing songs with both picking and strumming and have a general understanding of how melody, harmony, and rhythm work together. Bring your questions and let’s dig deep!

  • Ukelele Swing

    Level 3

  • Are you a lover of both swing music and the ‘ukulele? Then this class is right for you! In this class we’ll look at strategies to comp and solo in a swingin’ kind of way. Learn about seventh chords, ways to navigate the fretboard, and explore the wide world of swing music. Must be comfortable with basic chords and the ability to pick. A great class for those who want to take their ‘ukulele to a swing jam.

Elijah Cole

Elijah Cole moves comfortably between jazz, R&B, gospel, folk, pop, and rock, bringing his highly original voice to any musical scenario. He maintains a busy schedule as a leader and a sideman, performing over 250 dates a year in such venues as the Kimmel Center, Kennedy Center, Blues Alley, The Newport Jazz Festival, SOUTH, as well as many notable venues across New York City. Elijah received a performance degree from Temple University in just three years and studied with Peter Bernstein and Mike Moreno. He has shared the stage with notable musicians such as Terell Stafford, Byron Landham, and Pat Bianchi, among others. He is featured on Mike Boone’s latest release Enjoying the View, as well as Chelsea Reed’s 2020 release Carolina Baby. Elijah is a member of the original music collective Glera, which combines elements of avant-garde jazz, folk, and rock.

  • Let’s Take a Moment to Listen!

    All levels

  • Listening to music and talking about it can be as fun as playing it. Through guided listening sessions across many genres, you’ll gain an appreciation for a wider breadth of music. I will guide you through the key moments and concepts to listen for, and we’ll discuss what we’re hearing as a group. Come and expand your playlist! Open to literally anyone and everyone; all levels and all instruments.

  • Understanding Harmony

    Level 3–5

  • This class is all about understanding why one chord moves to the next, so that you can get the most out of those magical moments of tension and resolution. We will begin with the basic chords: 1, 4, and 5, and progress into more complex ideas such as diminished chords and suspended chords. At every step, we will be using the real harmonic choices of composers like James Taylor, Joni Mitchell, and Stevie Wonder to understand how these ideas are applied in some of the greatest songs ever written. Students will also have the opportunity to bring in their own songs to workshop the harmony and integrate these new ideas.

Jen Courter

Jen Courter is a multi-instrumentalist and educator whose musical journey spans piano,viola, voice, and ukulele. Since discovering her passion for the ukulele in 2017, she has focused on teaching, collaborating on, and performing ukulele-centered music. Jen has served in the leadership of the Lamorinda Ukulele Club since 2019 and was recently featured in Front Porch Music Presents at Town Hall Theatre in Lafayette, CA. Jen’s beginner-friendly approach helps ukulele players build confidence and core skills in a relaxed, upbeat environment. She loves how the instrument’s joyous, unassuming spirit brings people together and offers boundless room for growth and fun.

  • Beginning Ukulele

    Level 1–2

  • Start your ukulele journey or strengthen the basics in a fun, supportive setting. You’ll learn the most common chords and practice switching between them smoothly, keeping a steady beat with a consistent strumming pattern, and singing while you play. Build your repertoire with well-loved classics and new favorites. Head home with a solid foundation, a set of beginner-friendly arrangements, and practical steps to continue your musical growth. Come experience this approachable, joyful instrument and open the door to so much more!

  • Ready, Set, Jam!

    Level 2–3

  • Part instruction and part jam, this class invites ukulele players and other musicians with limited group experience to make music together in a welcoming, safe space. We’ll use easygoing songs, many with four chords or fewer, to build core jamming skills. You’ll get clear guidance on reading chord sheet notation, adapting material to your level, using active listening skills to lock in with others, and leading songs effectively. Each session will feature a different musical theme to keep things engaging and fun.

Jason Crigler

While living in New York City in the early 2000s, Jason Crigler worked as a guitarist for numerous artists including John Cale, Linda Thompson, Marshall Crenshaw, Erin McKeown, Teddy Thompson, and many others. During this time he also performed with Norah Jones, Levon Helm, Garth Hudson, Suzanne Vega, and Rufus Wainwright. Jason has been an active educator for over thirty years. In addition to his private teaching practice, he has been on the faculty at the Concord Community Music School in Concord, NH and Berwick Academy in South Berwick, ME. Since 2012 he has been a teaching artist at the Portsmouth Music and Arts Center (PMAC) in Portsmouth, NH. He currently has a full schedule at PMAC teaching privately as well as leading the Band of Hope, an adult ensemble that plays traditional Irish Music.

  • Fingerstyle Surf Guitar

    Level 3–4

  • Yes, you read that right. In this class we will be learning a variety of surf music tunes arranged specifically for solo fingerstyle guitar. We’ll work on developing greater finger independence in order to play melody and bass parts at the same time, creating what I like to call “the illusion of more.” By the end of the class you’ll have a nice repertoire of unique and interesting solo guitar pieces.

  • Traditional Irish and Scottish Music Session

    Level 2–5

  • In this class we’ll learn and play Irish and Scottish traditional music as an ensemble. Fiddle tunes, hornpipes, waltzes, jigs, strathspeys, and reels . . .here is an elegance to these traditional melodies, and the feeling of playing them with a group of other musicians is quite sublime. Open to all acoustic instruments.

Keith Greeninger

Keith Greeninger is a seasoned troubadour and award-winning singer songwriter, who paints intricate portraits of the human condition with powerful melodic images, deep engaging guitar rhythms and soulful, compelling vocals. His masterfully crafted tunes and powerful presence have earned him top songwriting awards at the prestigious Telluride, Kerrville, and Napa Folk Festivals. What Keith brings to his brand of songwriting and performing is authenticity. As a result, there are no barriers between the artist, his music, and his audience. This bond stems from an underlying philosophy that music and songwriting are first and foremost a gift and a soulful medicine to connect us and take part in together.

  • Telling the Story, Writing the Song

    All levels

  • This class will explore the process and simple joy of songwriting in a supportive and trusting environment as we look at the art of blending words, music, story, and spirit into songs of our own. Our goal will be to find new ways to strengthen our unique perspective and style. We’ll look at exercises and ideas for how to help free up thoughts and expression, integrating rhythm, melody, lyrics, and poems. We’ll look at some of the concepts and formulas of various classic writing styles as well. The goal of the class will be to help each person begin, further develop, or complete at least one song of their own.

  • Co-Writing Songs: Bringing the Poet and the Musician Together

    All levels

  • One of my favorite things in my journey as a songwriter has been joining forces with other people and creating a song I might not have written on my own. In this class we’ll explore the value and advantage of writing songs with others. We’ll focus on the process of people combining strengths, talents, styles, and ideas to create songs together. We’ll also look at the importance of creating an open and supportive space for the creative process to thrive between two artists, and the power of holding on and letting go. This class is open to people of all skill levels and to those who do or do not play an instrument.

Donna Herula

Hailed for her “superlative guitar prowess” (Living Blues magazine), Donna Herula is an award-winning blues singer, songwriter, resonator slide guitarist, and Chicago Blues Hall of Fame inductee. Donna won Independent Blues Awards for Best Traditional Blues Artist and Best Acoustic Blues Album for her album Bang at the Door. Her original songs have been played on the BBC and SiriusXM, and have received international critical acclaim, charting #1 on the acoustic blues album “Best of the Year” list. Donna loves to teach and has taught guitar at the Old Town School of Folk Music in Chicago for the past 10 years. She has a passion for performing traditional folk blues as well as creating original songs that tip the hat to the blues tradition.

  • Intro to Bottleneck Slide Guitar

    Level 2–3

  • Learn all you will need to know to begin and advance your slide guitar playing. Topics covered include types of slides, guitar setup, playing clean notes, rhythmic patterns, vibrato, and right- and left-hand damping techniques. The class will introduce the songs, styles, and licks of the blues slide guitar masters including Muddy Waters, Son House, Mississippi Fred McDowell, and Robert Johnson. Open G and Open D tunings will be explored.

  • Slide and Fingerstyle 2

    Level 3

  • Advance your acoustic slide guitar and fingerstyle technique by learning songs, licks, and styles of traditional and contemporary blues and roots artists. Students will learn both solo fingerstyle and slide songs, and will learn how to add color while accompanying another instrumentalist. Attention will be given to building skills in improvisation, soloing, and more advanced techniques such as Dead Thumb and alternating thumb/Piedmont Picking. Students may play songs in standard, open G, open D, and minor tunings. 

Janet Lenore

Janet Lenore became a singer-songwriter as soon as she picked up the guitar at age 12. She started teaching guitar while in high school and gigged with her harmony-singing Mom. Nowadays, Janet plays ukulele, mandolin, and some banjo as well as guitar. Besides teaching private students, she’s taught ukulele and guitar at the Puget Sound Guitar Workshop (PSGW) and Lark Camp. She’s led jams, taught workshops, and performed at several ukulele festivals including the Wine Country Ukulele Festival and Santa Cruz’s Burning Uke. CCMC’s Winter Retreat gives Janet her biggest instigator job of the year, as she has organized this annual event for too many years to count. Best known as a writer of humorous songs, she also has some original compositions that are poignant and even seriously serious.

  • Beginning Guitar

    Level 1

  • Whether you’re making a new friend of the guitar or you’re returning to your old six-string pal after a hiatus, this will be the class for you. Perhaps you’ve been working on the guitar but you’re experiencing some sort of block—like singing while playing or making your strumming jive with your chord-changing—come to this class and we’ll work through it together.

  • Instigator

    All levels

  • Whether you’re a first-time camper or it’s not your first rodeo, you might like some help figuring out which classes to take. Need some tips about how to feel more comfortable onstage? Having trouble finding some folks to play music with? Stuck for a rhyming word? Let’s bounce some ideas around. Every 4 p.m. workshop period there will be also be a slow jam that will be a good fit for both beginners and people who want hone new skills in a group setting.

Julian Oliver

Julian Oliver is a Boston-based fiddler and roots musician. Growing up surrounded by bluegrass, folk, and Western music, Julian developed an early affinity for the fiddle. Influenced by his older brother who played the instrument, Julian began Suzuki violin lessons at age five, building a foundation in classical technique before shifting his focus to Texas-style fiddling, a tradition that remains central in his playing.

Julian studied for many years with family friend and mentor Katie Glassman, developing both his technique and his passion for the rich tradition of fiddling. Influenced by players like Terry Morris, Major Franklin, Benny Thomasson, and Jimmie Don Bates, Julian became active in the fiddle contest scene, winning the Colorado State Fiddle Championship for the first time at age 11. Julian’s love for Texas fiddle was supplemented by his love of western, classic country, and swing music. At 8 years old, Julian began performing at cowboy poetry gatherings around the U.S. and would go on to spend two years playing with the Lazy B Chuckwagon Wranglers in Estes Park, CO.

Julian has expanded his musicianship through a love of guitar, singing, and songwriting. He has toured Europe performing swing and country fiddle and won his age division at the 2023 National Oldtime Fiddlers’ Contest in Weiser, Idaho. Julian is currently the recipient of a full scholarship at the Berklee College of Music, where he has had the opportunity to study with musical greats Bruce Molsky, Jason Anick, Joe K. Walsh, and Luis Perdomo.

  • Survey of Fiddle Styles: Living Gracefully Outside Your Comfort Zone

    Level 3–5

  • Explore fiddling horizons as we learn how to adapt to significantly differing styles, including Texas style, old-time, swing, and bluegrass. Through hands-on examples and style-focused techniques, you’ll learn what makes genres unique, and how to prepare for and navigate them in jam sessions and performance settings. Gain confidence in expanding your repertoire, experimenting with stylistic nuances, and embracing the art of adaptability with grace and curiosity.

  • Intro to Swing Guitar Accompaniment: Closed Swing Voicings Over Standards

    Level 3–4

  • Step into the world of swing and western swing guitar accompaniment as we explore closed-position voicings used in the context of classic jazz and swing standards. We’ll focus on developing a reliable swing feel, understanding common progressions, and contributing musically with intentional groove and stylistic awareness.

David Pascoe

David Pascoe is a multi-instrumentalist, songwriter, bandleader, teacher, and ruthless collaborator. His versatility on fiddle, mandolin, and guitar combines the warm textures of traditional folk music with the playful improvisation of jam and jazz. David is a co-founder of Every Folk, a 3-day music camp for adults to explore traditional and contemporary folk music and culture. He’s frequently taught songwriting and string band skills at the Pacific Coast Songwriting Camp. David performs most often with his band Late for the Train, which regularly tours the West Coast and debuted internationally in Ireland in 2024.

  • Freshen Up Your Fiddling

    Level 1–3

  • Feel like your playing could use a refresher? You’re not alone! Whether you’re a relative beginner looking to get your bearings or an intermediate player hoping to unlock new possibilities, this technique-forward class will cover a laundry list of basics to help you build confidence on this utterly fretless, ergonomically squirrely instrument.

  • Americana/String Band Lab

    Level 2–4

  • Mix it up and explore the magic of playing a variety of contemporary and trad songs in the Americana genre. We’ll have a daily band scramble, brainstorming in teams to arrange and spice up songs with solos and harmonies. Then we’ll take it for a test drive to see how well the songs shine. The repertoire will be easy to learn and all instruments and vocalists are welcome to join in the fun!

Ron Peters

Seattle guitarist Ron Peters has been an in-demand pro for more than 40 years! As a sideman or leader, he has worked in various settings from solo to big band. He has played on stages and/or recorded with Pearl Django, Dmitri Matheny, The Manhattan Transfer, and Sylvia Herold, to name a few. He teaches privately online and at many workshops and camps in the U.S. and Canada. You can catch him performing in different settings in Seattle and around the Pacific Northwest.

  • Inversion Immersion

    All levels

  • Most guitarists learn chords by “shape” with the lowest root note on the 5th or 6th string and the chord tones in any order, or “inversion.” The number of individual notes in a chord indicates the number of inversions available of that chord up the neck. I will show you the simple process of inversion, starting with major and minor triads, and advancing to 4-note swing chords to quickly increase your chord vocabulary. It would be helpful if you already knew the notes up the neck.

  • Swing Duo Lab

    Level 3–4

  • A swing duo is one of the most challenging and satisfying musical settings. I’ll have a recording and charts for two swing tunes per class for you to choose from. You’ll be paired with a new partner each class, and I’ll coach your duo on how to best support one another. Learn tunes, have fun! For all instruments and singers.

Pamela Rose

Pamela Rose is a San Francisco jazz and blues vocalist who has thrilled audiences locally and internationally with her swinging, soulful style for decades. Along with her enduring love of live performance, Pamela Rose has also spent years teaching vocal performance classes and running jam sessions for singers. Many fans associate Pamela Rose with her touring ensemble shows—Wild Women of Song and Blues is a Woman—celebrating remarkable women who helped define American music. Rose’s book Wild Women of Song: Great Gal Composers of the Jazz Era reflects her years of research, as do her many talks and lectures about music creators. Pamela Rose has eight recordings under her name, is on the faculty of the Jazz School in Berkeley, and tours, teaches, and sings most often in the Bay Area that she loves so dearly.

  • Feel Like Singing the Blues?

    Level 1–3

  • Blues is the most primal, powerful part of your soul…and singing it is more fun than you can possibly imagine. Every singer, regardless of style or experience, has so much to learn from the blues. It is the gateway to learning how to sing with more freedom and soul, and finding your own voice. We’ll dig into the music theory and history of the blues, and you’ll see why this is the perfect music to bring to a jam session anywhere. Come learn about the grandmother of all great American music and deepen your knowledge about musical form while we moan, hum, wail, and sing.

  • Blues Singer’s Essential Guide to Jam Sessions

    Level 2–5

  • When you walk into a blues jam session, you have only a moment to explain what you want to the band. No charts, no sheet music! Understanding a few basic cues and how to speak the language the musicians know can transform your time at the microphone from a train wreck to a triumph. We’ll learn different strategies to begin and end a tune, and how to sculpt your song to fit your personal style. All while singing some Muddy Waters, Bonnie Raitt, Etta James, and B. B. King songs.

Cindy Browne Rosefield

Cindy Browne Rosefield is the Director of Instrumental Studies and the Coordinator of the Music Business Certificate at Las Positas College in Livermore, CA, where she also teaches Music Theory, American Cultures in Jazz, and History of Rock & Roll. Cindy performs and records with various groups, including Wake the Dead and the Tom Reynolds Conspiracy. She has toured extensively throughout Europe, Japan, Jordan, Mexico, the Caribbean Islands, Canada, and the U.S., and performed at the Monterey Jazz Festival, Concord Jazz Festival, SF Jazz Festival, the California Jazz Conservatory, and many other jazz and folk music festivals around the world. She also serves on the Board of the Livermore Jazz Society, a nonprofit organization that hosts musical performances of jazz and other underserved musical genres through house concerts and local venues.

  • Bass 101

    Level 1–2

  • For those who are just starting, wanting a refresher course, or just curious as to the magic of playing the bass! Open to all instrumentalists, this class is a great starter for understanding and learning more about simple bass fundamentals such as how to get a good tone, simple hand positions to get you going, and how to create good smooth bass lines in many styles. We will move toward playing “in the pocket” of a few different styles and tricks that make a solid bassist.

  • Swinging, Groovin' and Improvisation

    Level 3–5

  • Bass players: It’s time to do more than just hold it down. In this class, we’ll explore deeper grooves, wider styles (swing, blues, funk, and Latin), and the art of improvisation. You’ll learn how to move confidently from the rhythm section to the melodic spotlight—without losing the groove. One new tune each day, plenty of theory to fuel your solos, and lots of musical fun along the way.

Adam Roszkiewicz

Adam Roszkiewicz is a Grammy-nominated multi-instrumentalist and composer from the west coast of the United States. Specializing in bluegrass, folk, Americana, and classical crossover genres, he has played with the Modern Mandolin Quartet, Front Country, Anais Mitchell, Ana Egge, the Ger Mandolin Orchestra led by Mike Marshall, and many others. Adam has performed at music festivals around the world including: Merle Fest, Grey Fox, Bristol Rhythm and Roots, Rockygrass, Telluride, the La Roche bluegrass festival in France, the Didmartin bluegrass festival in England, the Blue Highways festival in Utrecht, Holland, the Singer Festival in Warsaw, Poland and the Hardly Strictly Bluegrass festival in San Francisco’s Golden Gate Park. In 2013 Adam received a Grammy nomination for his work with the Modern Mandolin Quartet.

Adam received his bachelor’s and master’s degrees in music performance from the San Francisco Conservatory of music. In addition to extensive performing experience, Adam is an active music instructor, having spent over 15 years giving private, group classes, and workshops on guitar, mandolin, banjo, and composition. Adam is currently the director of the California Bluegrass Association’s Summer Music Camp.

  • The Melodic Guitar: Modern Flatpicking Techniques

    Level 2–3

  • Incorporating elements of cross-picking and cross-string or “melodic style” banjo techniques, we will learn the tools and techniques to add variety and interest to your flatpicking tunes and solos. We will introduce the elements of the style and cover common licks and patterns, starting with familiar bluegrass instrumentals and fiddle tunes.

  • Writing Original Tunes in Open Tunings for Solo Fingerstyle Guitar

    Level 3–4

  • What makes a good melody? What are different ways to support a melody with chords and basslines? How do you even start writing something from “nothing”? We’ll explore these questions and more, all in the context of writing original tunes in open tunings. We’ll also discuss how to choose and adapt a tuning to suit the needs of our evolving composition, along with various musical and instrumental techniques to add interest and bring our original tunes to life.

Ethan Setiawan

Originally from Goshen, Indiana, Ethan Setiawan tried out numerous instruments before finding his way to the mandolin, making a name for himself when he won both the National Mandolin Championship and the Rockygrass Mandolin Championship. Years later, Ethan has become a leading voice of the mandolin, his path wending its way through traditional bluegrass to Bach partitas and free jazz. He performs regularly with his progressive bluegrass band Fine Ground, and Scottish fusion duo Hildaland. His previous solo albums Flux and Gambit (produced by Darol Anger) were made up of original tunes drawing from all these wells, and employed a traditional full band format. On his most recent record, Encyclopedia Mandolinnica, he explores the many possibilities of mandolin music through duets and trios with friends, mentors, and heroes.

In addition to his solo projects, Ethan is an in-demand sideman and band member, and can be seen playing with various acts in the northeast and further abroad. Throughout his work, Ethan’s technical proficiency is rivaled only by his restraint, leaving room for the music to thrive.

  • Mandolin Style Survey

    Level 3–5

  • We’ll look at several styles that often incorporate mandolin and spend some time with each of them. We’ll learn a tune from each style, and then take some time to break apart that style. Learn tricks from the style to make the tunes more interesting and fit the style. We’ll also cover accompaniment and how to back up each style. Genres covered may include bluegrass, swing, old-time, and choro.

  • Foundational Mandolin

    Level 2–4

  • This fairly comprehensive overview of techniques on the mandolin is aimed at all mandolinists who are able to play at least one tune. We’ll look at ideas for the right and left hands, chords, ear training, metronomes, composition, creativity, and improvisation.

Sonia Shell

Sonia Shell is a stalwart regular in the Bay Area bluegrass community. She teaches banjo and guitar, and is a lifelong learner herself. She has performed and recorded with many local groups such as Sidesaddle, The All Girl Boys, Harmony Grits, and Bluegrass Holiday from Marin County. She completed her first solo bluegrass album, Sonia Shell: We’re Going Home, in 2024. Sonia is a certified teacher of Alexander Technique, taught at schools such as Juilliard to help assist ease in playing and singing. She’s excited to teach at CCMC this year!

  • Banjo for Real Life

    Level 1–2

  • We’ll focus on hearing chord changes, playing songs (depending on the class level), and analyzing their structure. You’ll earn to identify the sound of the chords, their personality and function. We’ll start in the banjo key of G and also explore A, B, C, D, E, and F! We’ll discuss capo use and that pesky 5th string. We’ll look for melody notes within a chord, making solos based on simple rolls. We’ll avoid the use of paper; instead, students are encouraged to record songs played in class for future practice. Practicing techniques will be discussed, and we’ll practice playing together as a group and switching from chords to solos. Bluegrass banjo traditions will be discussed using traditional bluegrass repetoire.

  • The Art of Relaxation While Playing the Banjo or Any Other Instrument

    Level 2–4

  • The concept of “playing” and “play” will rule the day as we explore how to practice and relax while playing. We will breathe, stretch, and experiment with “doing less” (such as gripping the instrument neck) to provide a path to musical ease. Using simple chord progressions and picking patterns with pop and folk songs, we’ll repeat enough times that we can expand our focus to include our breathing and letting go of muscle tension.

Ida Winfree

Ida Winfree has been playing guitar and mandolin since she was 7 years old. Born and raised in Turlock California, she grew up in the lively California Bluegrass Association community. At age 8, she participated in the CBA Youth Academy where she met some of her future bandmates. At age 13, she played mandolin with North Country Blue, a young bluegrass band that played all over the West Coast. She was employed as a guitar and mandolin instructor for the robust youth academy at the annual Father’s Day Festival for 5 years, and Puget Sound Guitar Workshop for 2 years. Ida formed her next bluegrass band, West 45, a group that played throughout California. Ida has two studio albums with North Country Blue and she will be releasing her own singles over the summer.

  • Fundamentals of the Mandolin

    Level 1–2

  • This class will focus on the fundamentals of the mandolin. We’ll learn different chords and chord voicings, and then we’ll apply those and practice various rhythms, including chopping and strumming patterns. Finally, we’ll bring it all together and learn a couple of easy fiddle tunes, so you can start playing with others right away! Whether you’re new to music or just new to the mandolin, this class will help you get started on your musical journey.

  • Bluegrass Fiddle Tunes and Basic Improvising on the Mandolin

    Level 2–4

  • We’ll learn common bluegrass fiddle tunes and the foundations of improvising. We’ll start by learning the tunes and then explore how to add your own style and creative ideas while playing. We’ll explore basic techniques like phrasing and rhythm, which are key to bluegrass music. As we progress, we’ll focus on building your confidence in improvisation, helping you create solos that fit with the tunes. The class will also introduce you to playing with others so you can practice jamming. By the end, you’ll have the knowledge and tools to become comfortable playing bluegrass music and improvising in your own way.